In the same years in which Cindy Sherman empties in his images the curves jacksonville journal cour

Michael jacksonville journal courier Mann is a director of symptoms: the part of his job and hewn in the making, and therefore more interesting, is that of the eighties. jacksonville journal courier The coring vision of an era and rich magma like that brings to light a number of ambiguities which can be summarized in the final crisis of male identity and a redefinition of the concept of narcissism. Without any salvation.
Only apparently director of super men, Mann is actually a male singer of frayed, frollo, disoriented, searching for an identity, a neurotic and contentment jacksonville journal courier always lacked in things. The male Mann may not have a happy family, can not have a clear sexual identity, can not have a woman compliant and, when unable to find a consolation and a landing, finds him in what they buy and consume. The male Mann is the eighties and the mass narcissism that characterizes them - Narcissism no longer jacksonville journal courier unstoppable in the teleological path of libido, at the bottom of redemption hygienist, encoded by Freud (concept then discussed and criticized by the self psychology of Kohut and Lasch in the book that is no coincidence that opens the decade, jacksonville journal courier The Culture of Narcissism). The male ego of the characters in Mann wanders in search of a set of objects of consumption and people to love: house, car, woman, clothes that could identify him and comfort him. Would take at least a longing to cling to, but for the first time sees the abyss, and begins to explore it. And 'American Gigolo (1980) by Paul Schrader to close an era where there is still a hope of redemption and repentance possible, but it is the film that Mann left that territory classic sailing for the first time in the open sea. Without even the pretext of forgiveness and rebirth, without the serene harbor identity.
The narcissism of the eighties seems like a crazy thrill me without a reference and landing, just drifting, without jacksonville journal courier justification and possible diagnoses because no object to be analyzed. You can be the embodiment of narcissism without an identity? And despite the cinema to dress the role of a specific social role and Manichaean, by genre, or the thief or the cop, you can be mined all over? The paradoxical territory where the characters live in Mann is a swamp of visual stimuli and behavior, the importance of which, in order to understand those years, is equal to that of Bret Easton jacksonville journal courier Ellis, the writer who those stimuli identity and animalistic will bring them to light and will encode them into the protagonist jacksonville journal courier of the book symbol that closes the decade as the sum of values and schizoid: American Psycho (1991). Mann instead still the privilege of exploring some values and are forming. In the course of work as his style of calibrating quell'intuire an abyss. With the television series of the most significant period, Miami Vice, and with four films: Jericho Mile (1979), Thief (1981) and Manhunter (1986), the television jacksonville journal courier LA Takedown (1989). A 'visual jacksonville journal courier imagery that becomes the aesthetic language of an era of total made over toned and hopperiani, machine sparkling in contexts decadent, case-aquarium where you can see everything including murder, houses that do not save more, which not keepers, who do not protect a memory and identity, houses torn apart by windows with views of the metropolis that nothing of the threat.
Miami Vice is the culmination of this process for the duration of the series (1984-1989). Under the most insane and inexplicable improbability social and depersonalization, the policemen of the series, before the characters and roles, are mannequins for fashion clothes: turn in Miami in a Ferrari Testarossa, and launch fashion wear Armani suits, Armani always, the pastel colors in men's clothes. They are heroes feminine despite the machismo but never ostentatious credible. Burst in the collective imagination with absurd T-shirt under expensive sports jackets: their clothes are soft and with unnatural colors, never before seen. Their houses are from the catalog of design, their hair is taken care of, their formal order unrealistic and always perfect in spite of the work of gunpowder jacksonville journal courier and asphalt, puddles and ran after night. Yet they are weak because they do not exist except as a support to the goods. Mann gets invaded by fashion and in particular the double movement of the style of the time: women's apparel and contemporary stiffening of male prolapse, sagging and waning, soft and expensive.
In the same years in which Cindy Sherman empties in his images the curves jacksonville journal courier and sensuality of women, causing it to wear strict, it's all Hollywood films load the symbols jacksonville journal courier of women's fashion, reinforcing in a hyperbolic masculinity of women and debunking of all the man: the character who best embodies this graphically androgyny and that opens up a whole range of